On another show time performance, screen
and stage actress Igweagu Blessing Ngozi talks with Perekeme Odon about the
staging of Ola Rotimi's Hopes Of The Living Dead produced and directed by Dr
Ovunda Ihunwo, at The Arena Event Center, GRA Port Harcourt on Independence
Day, October 1, 2021.
As Blessing plays Hannah, the production will blend creativity and imaginative transformation performed by some of Nigeria's best-known and most accomplished actors and actresses.
Igweagu Blessing Ngozi |
Read excerpts of the interview below.
Which state are you from?
Blessing: I am from Enugu State, Nigeria.
What are your educational qualifications?
Blessing: I obtained my First School Leaving Certificate at Otto Primary
School, Ebute-Metta. I later went to Mainland Senior High School, Lagos state
and then obtained a BACHELOR OF ARTS degree in Theatre and Film Studies at the
University of Port Harcourt, Rivers State, Nigeria.
As a kid, what did you want to become when you grow up?
Blessing: I have always liked acting since childhood. I always participated in
children drama and recitations in the church so when it was time for me to
leave for the University, it was only natural that my choice of study was
Theatre and Film Studies.
How long have you been an actor?
I would say I have been an actor for about 20 years. I started acting
as a child from the church in the children’s theatre department and then went
on to study theatre and films studies at the University. I have also been in
numerous stage plays, featured in movies and TV shows.
Can you remember your first stage/theatre production?
Blessing: My first stage/theatre was a play titled Deacon Dick. This was during my pre-degree programme at the University of Port Harcourt
What attracted you to begin a career as an actor?
Blessing: Growing up, my mother always watched a lot of Nollywood movies.
Seeing how those actors kept them entertained made me more certain about
picking up acting as a career.
The play, Hopes of The Living Dead is based
on the true-life story of Ikoli Harcourt Whyte. Written by Ola Rotimi and
directed by Ovunda Ihunwo. How prepared are you to mount the stage come October
1, 2021, at The Arena Event Center, GRA Port Harcourt?
Blessing: Very prepared but still thinking of ways to make my character more unique.
Blessing Ngozi |
Did you audition for the role, Hannah?
Blessing: Yes I auditioned for the role of Hannah, and was cast by the director
among another potential cast. Though there is a double for the role.
How inspirational is the role of Hannah in Ola Rotimi’s Hopes of the Living
Dead, as directed by Ovunda Ihunwo to you?
Blessing: The Director, Dr Ovunda Ihunwo, portrayed the role of Hannah to be very inspirational by showcasing how she stood up for the inmate when the matron was trying to treat them like people of no importance just because they were living with leprosy.
Diction means both choices of words and
vocal expression or enunciation. This play set in the pre-independence years
during the Lepers' Rebellion of 1928 -32 illustrates the struggle of the
characters to attain a right to exist and live in dignity in society. The use
of language situated within a historical context clearly depicts this struggle
in the context of an inter-relationship between leadership and followership.
How do you plan to achieve that?
Blessing: I consulted native speakers of some of the Nigerian languages of the
South-South to learn basic conversations in their native dialects. There are
instances where my character chooses to express herself in one or more of these
dialects.
Symbolism is a literary device used in writing, which stands for, suggests, or
means something different. The Court Clerk symbolizes or represents Solomon in
the Bible, and Ikoli Harcourt Whyte represents Moses. What does Hannah
symbolize?
Blessing: Hannah in this context symbolizes Esther. Hannah stood up for the
inmates, she defended the inmates when the hospital matron saw them as a
nuisance because they had leprosy and just as Esther in the bible, Hannah
advocated and stood up for her people.
What steps do you take to fully understand the importance of your character to
the story, Hopes of The Living Dead?
Blessing: First by reading the script and understanding the script, then
understanding the role of Hannah in the play, knowing the character motivation
like why Hannah reacted the way she did to the matron, also the situation
surrounding the character.
Do you believe the play depicts what we face in the real-life Nigeria of today?
Blessing: Yes I do, looking at how the government treats its citizens not
caring if they live or die.
What acting techniques do you use to create a believable character?
Blessing: I use Sanford Meissner’s technique, which is “truthful acting”,
making each scene look believable and Stanislavsky’s method which is “emotional
memory”. In my own case, what I understand by this is that the audience has to
believe your character and the emotions being expressed to them.
Rehearsal Time |
How do you prefer theatre acting to film?
Blessing: Both goes for me, though acting on stage is a bit more tedious with
immense pressure and expectation to deliver a character expertly. You have to
attend multiple rehearsals in order to get used to the stage geography and also
rehearsing constantly to get used to the exaggerated expressions and
Familiarizing with other characters.
Have you
progressed in your acting career as you have expected?
Blessing: I have made progress but I am not where I wish to be yet.
How different is it to act in a movie and to act in a theatre play?
Blessing: Theatre requires intense vocalization and the characters are to an
extent exaggerated to pass on the emotions and atmosphere to the audience. This
is not present in movie making.
Which has been your favourite character that you have performed on stage?
Blessing: The character of ihuoma in Elechi Amadi’s Concubine, directed by Dr.
ovunda Ihunwo for Rivers at 50.
Have you any concerns with the director that you have to work yourself over
and over again?
Blessing: I always work with Dr Ovunda Ihunwo who believes in spontaneity and
prefers that words be pronounced correctly. So I try as much as possible to
make each scene believable and often research the correct pronunciation even
before going for a general script reading.
Igweagu Blessing Ngozi |
What has been your biggest achievement in
the field of acting?
Blessing: That would be when my team travelled for a competition in Italy “Teresa
Pomodoro” and for a festival in Egypt “Cairo International Festival for
Contemporary and Experimental Theatre”.
Mention any special recognition or award that you have received for your
acting skills?
Blessing: There is none at the moment, but I am hoping for one soon.
Give us a few tips to be a successful
actor?
Blessing: The first on my list on how to become a successful and better actor
is to keep learning, learning from every circumstance, from colleagues, from
your director, from movies. This will help you be at the top of your game and
get you more contracts. Take on different roles even though they may not be in
your comfort zone so as not to be stereotyped.
How do you rehearse a scene if the other actors you need to interact with
within the scene are not available?
Blessing: I imagine that all the other characters are present in my space as I
practice.
How do you react when you receive a negative review about a performance?
Blessing: I reflect upon the comments, consider if the criticisms are
constructive and note the areas to be improved upon.
Whom do you consider to be your acting role model whose career you would
like to emulate, and why?
Blessing: My acting role model would be the director Dr Ovunda Ihunwo who I am
currently working with on the production Hopes Of The Living, who is also a
spontaneous actor.
Igweagu Blessing Ngozi |
What was your longest-running role on
stage?
Blessing: The role of Ihuoma in Elechi Amadi’s Concubine.
How do you feel playing in alongside two Nollywood greats, Francis Duru and
Charles Inojie?
Blessing: I feel honoured, being on stage with such great actors. I feel like a
dream come true for me.
Describe your last experience on stage.
Blessing: My last stage experience was in Egypt 2019, the performance was quite
tasking and technical to deliver but fulfilling.
Where do you see yourself in the next five years?
Blessing: I see myself in the next five
as a well-known actor locally and internationally
Are you a member of the Actors Guild of
Nigeria (AGN), or the National Association of Nigerian Theatre Arts Practitioners
(NANTAP)
Blessing: I am a member of the National
Association of Nigerian Theatre Arts practitioners (NANTAP)
A message to you fans on what to anticipate on the performance of the play,
Hopes Of The Living Dead.
Blessing: They should expect an extremely captivating theatrical performance.
Thanks for your time.
Blessing: You’re highly welcome... Thank you
Igweagu Blessing Ngozi |
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